When you do this, InDesign applies the formatting to all of the text in the text frame, including any overset text. Second (and more interesting) is that you can apply text formatting to text frames you’ve selected using the Selection tool or the Direct Selection tool. First, because paragraph formatting (which we’ll discuss later) always applies to an entire paragraph, you don’t have to select every character in the paragraph before applying it. However, there are two caveats to this statement. Generally, when you want to change the formatting of some text, you have to select it with the Type tool. Along the way, there may be a joke or two. In this chapter, we’ll start with character formatting (font, point size, kerning, and baseline shift are examples of character formatting), move on to paragraph formatting (indents, tabs, space above and below, and composition), and then dive into formatting using character and paragraph styles. Not a chance-InDesign offers a number of improvements and surprises in the area of typesetting.
Does that mean, however, that there’s no more room for improvement? Is typesetting “done”? These days, page layout programs are far more capable than Ole’s trusty EditWriter. I could set just about any kind of type using that machine, provided the characters would fit on a piece of film not more than seven inches wide, and provided I didn’t need to use characters from more than six fonts.” Desktop publishing didn’t exist yet, and digital (as opposed to photo) typesetting systems-with their WYSIWYG displays-were rare.
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“These are the things I think of when I hear the word ‘typesetting’-they’re memories from my job at Seattle’s free rock and roll newspaper The Rocket, circa 1982. The gentle snoring of one of the staff writers, who is curled up in the warmth of the unit that holds the filmstrips containing the fonts I’m using to set his story. The smell of the office standard ‘French Vanilla’ coffee-warming, now, for several hours and resembling nothing so much as battery acid. The pale glow from the monochrome monitor of my Compugraphic phototypesetter.
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